Ginger

Photo by Ty Feague on Unsplash
Ginger

At the Palacio Municipal, you can pay
outstanding parking tickets
with counterfeit 20 dollar bills
and frayed-edged loteria cards.

I keep La Sirena for myself
and go out into the rain
with only a paper umbrella to
keep the ghosts out of my ears.
They get in anyway.

In the square
the Independence Youth Orchestra
plays waltzes
for your wristwatch that keeps
time backwards
and Ginger Rogers dances
the lead for a change.

Epitome of everything you mistake for female,
she is actually an avatar of Venus
whose sea foam birth
was foreseen by the
side-street organ grinder.

Born Virginia Katherine McMath,
this fecund goddess
is the queen
of a girl-crazy, blue-eyed god,
who creates and destroys
the matter of the universe.

As I walk toward the cathedral,
your watch, the waltzes,
and my paper umbrella
turn to pink pulp
and shower around my shoulders
like the bougainvillea
dropping petals.
I look longingly at a little
girl's roller skates,
as Ginger Rogers drives by,
a blue dress flapping from the bumper of her
Lincoln.

Published on The Laundry Line May 27, 2025.

Ode to the Rings of Saturn

Photo by NASA Hubble Space Telescope on Unsplash
Ode to the Rings of Saturn

What could be
more perfect
than a planet
cradled in the
arms of its own rings?

A giant bedded
down in the icy
remains of its
once beautiful spouse.

Songless world
belted with the
white track of
a 30-year storm.

Huge head halo'd
by twirling dust motes
and the bodies
of his children:

O Rhea, O Mimas,
O Titan,
pockmarked beauty—
outpost of man's
ambitions.

Their shadows stride across
the face of this world.

Above his shoulder,
an icy crescent,
Tethys rises.

“O” she says, “O”
and again
more slowly “O”

“With rings like those
I would never
be alone in the dark.”

Published on The Laundry Line, May 20, 2025.

spark notes — how not to read a poem

Photo by David on Unsplash
spark notes - how not to read a poem

All narrative poems are conflations
of the things that happened to the poet
and stories told by her mother
when the January nights got to be too much.

Do not be misled by the line,
the poet was drunk when she laid it down.

Dogs find the
classically rigorous poetry
of the early 19th century stifling.

Cats, however, relish the constraints
of the Japanese forms.
A haibun will often soothe their
fears of thunder and wild parsley.

Read poetry on an empty stomach,
to feed your hungry misapprehensions.

If a poem moves you on a Tuesday,
revisit it on a Friday
as the moon rises behind the Nabisco factory;
read it again on Sunday
when you should be in church.
You will not be able to substitute one reading for the other.

Published on The Laundry Line, 14 May, 2025. 

I Was Once Persphone

Photo by Jazmin Quaynor on Unsplash
I Was Once Persephone

last week I tore a page out of your book.
tomorrow I will tape my own verse
to its ragged remnants.
the remnants of
your page I mean.

it will be about
a moon that spins slowly
and echoes our fugitive secrets.

that one poem I cannot make work.
oh Luna,
oh Hyperion,
oh Pluto
— demoted.

Published on the Laundry Line May 6th, 2025

Tina & Rico and Bernard & Theresa

Photo by Casey Lovegrove on Unsplash
Tina & Rico and Bernard & Theresa

Mama made the switch
jump the track
choo-choo
she said
as she stuffed applesauce
up the baby’s nose.

Tina wanted Rico
wanted Rico so hard
she nearly split
that watermelon boozed hard
Rico split
and Tina went away to Bernard.

Bernard brave as a bear
falters his father face
on the staircase to Theresa’s room.

Bernard will only say
that Theresa is already gone.
Theresa, that strange huntress,
ready to sign her way through
a father’s vigilance;
her soft virgin’s virtues sing
an eight-bar blues
about the fall of night on the Neva river.
Her river runs through it unnamed.
This is the smallest word.

Word comes to Tina,
Mama and the baby are on the train
home.
choo-choo

Published on The Laundry Line April 19th, 2025.