Brief Note: Who’s in Your Twitter?

Coming under the head­ing of Don’t Put Yourself in the Position to be Jealous.

I have a twit­ter stream full of authors whose work I adore, or whose way of work­ing I admire. Every time one of them gets a good review, pub­lish­es a book, or places a sto­ry, I cheer. I love that the world is going to see more of their work.

But the ones whose stuff I think is mediocre and who I think have cho­sen to be mediocre. Um, no. I don’t have the time to spend with their psyches.

#FridayReads — 3.feb

This week was all about the short sto­ries. Many avail­able free on the ‘net

From the World SF blog. The City of Silence by Ma Boyong. A lit­tle too easy update of 1984 for the web ruled city. I sus­pect that there is bet­ter mate­r­i­al by the same writer.

The House of Aunts. Zen ChoTo at GigaNotoSaurus. I don’t usu­al­ly read hor­ror. I loved this one. A teenag­er hemmed in by a pas­sel of nosy, inter­fer­ing, undy­ing­ly loy­al aun­ties. A girl’s first crush and a lot of humor.

I read a cou­ple of sto­ries writ­ten by some­one I sort of know that dis­ap­point­ed me great­ly. There is zero chance that he’d find this lit­tle post and yet… I can’t bring myself to point you all to an instruc­tive exam­ple of flat writ­ing. Conflict avoid­ed by writ­ing about the con­flict rather than the sto­ries — whew.

I’m read­ing a lot about the act (crime?) of writ­ing. Mostly web stuff — most­ly lost in space.

On the longer form front.

An Everlasting Meal — Tamar Adler. A cook­book worth read­ing for both the ideas and the prose. I’ve just start­ed. Pleased with it.

Tons of stuff land­ing on the Kindle and in the post office box. A Dorothy Parker bio, Fran Lebowitz (smart ass girls — could it be a theme?) Osama — Lavie Tidhar (alter­nate present polit­i­cal), Palimpset — CV (how cities grow — folk­loric.)  Samples of a hand­ful of things.

It was a week for hunt­ing and gath­er­ing and plun­der­ing oth­er peo­ples’ read­ing lists. Next week — cook­ing and eat­ing my haul.

Happy Friday my dears.

Why Morning Linkage Died and What’s Next for ShinyMagpie

Short ver­sion.  A switch from cura­tion to creation.

Slightly longer ver­sion. Morning Linkage was  path to find­ing my way back into think­ing about sto­ry telling. It is now time to start telling sto­ries of my own again.

There’s an even longer ver­sion but that should prob­a­bly stay between me, my ther­a­pist, and the hap­py band of weirdlings on the WW list.

What will you see here next? I’m still work­ing on that. I hope it’s about sto­ries and how they get built. Words, pic­tures, sounds, places, dirt, and stars.

 

 

Random Linkage (Sept 19)

Caren Alpert takes pho­tographs of food through a microscope.

Here for exam­ple is a pineap­ple leaf.

Caren Alpert's image of a pineapple leaf
pineap­ple leaf detail

Many more includ­ing sprin­kles, a spooky sun-dried toma­to, and choco­late cake.

via: fea­ture shoot

 


 

Belgian ads advis­ing you to “Take the Bus” done for the bus com­pa­ny De Lijn. Produced by Creative Conspiracy for the Duval Guillaume agency.

Ants:

Penguins:

via: PaperWalker (which you should look at just for the head­er art)

 


 

Cheeky smile of the day: Mr. McQueen’s Licence Internationale de Conduire. Trials and Scrambles.

McQueen's Int'l License
would you trust this man with your motorcycle?

 

via: Gunslinger

Random Linkage (July 27)

A real­ly love­ly lit­tle side­car rig. Honda CB550. The rebuild is appro­pri­ate for the era and the paint is so sweet.

very nice sidecar
lit­tle CB550 makes a great tug for this lit­tle chair

via: BikeEXIF


A look inside the mind of builder Dustin Kott. Cafe Racers from vin­tage Japanese bikes. By Benedict Campbell.

via: Return of the Cafe Racers

 


 

From Emily Carrol who does dream­like comics and sto­ries. a tale of sil­very hair and a cov­etous crow. Anu-Anulan and Yir’s Daughter.

Anu-anuland and Yir's Daughter
Anu-Anulan and Yir’s Daughter

 


 

Cut paper, pop-up books, and pro­ject­ed lights & images, bring Ice Book to chill­ing life. This video gives you an idea of what the piece looks like in per­son and how it is cre­at­ed. Davy and Kristin McGuire.

 

via: Coilhouse